I provoked the idea by thinking of fish scales that are curved and overlapping. I used torn papers that slightly overlay each other. It was fun to do and I can see a direction of sorts to explore overlapping edges using collage further.
For my next two samples: 2.4.2 and 2.4.2a I used the same type of collage to resemble the potatoe/ stone shapes on a background of crumpled paper from a shoe box. I used the torn paper tones from a magazine for all the shapes. In one, I used (removable) red ‘roots’ and for the other I removed them completely. I’m unsure which worked best, or did not work at all. I am in reserve mode. I need time to look back on this exercise and make a decision. I have not exhausted this line of inquiry using collage.
Using ideas from the joining experiments so far, for sample 2.4.3, I overlapped the edges of fraying hessian with a variety of materials, including plant fibers, cotton string, cocktail sticks and wire. I marked the fabric first with a variety of symbols from prehistoric rock art.
I like this example of joining curved edges, it is by Vassily Kandinsky `Free Curve to the Point – Accompanying Sound of Geometric Curves´ Ink on Paper 1925. I am attracted by its pure simplicity of arcs with its two different thicknesses of line. All hovering over a black dot.
The sample below (2.4.4) is inspired by knots of seaweed that I spotted floating on the tide on a beach walk. At home I wrote down words associated with my first impressions, then created a poem. I made a textile piece using kantha stitch, mimicking the curved and straight edges crossing each other in a tangle.
I wonder what it’s like to drift in the tide like seaweed.
Knotted and tangled, the taste of salt in your mouth.
It would be dreamy to lay there floating on the ocean
And watch the clouds and sun move over my head.
The next samples were also inspired by nature, this time a jar of poppies. A simple sketch (2.4.5 and 2.4.6) had me looking in depth at the overlapping shapes. Inside a poppy bud there were deeper layers that I wanted to include in this section. I teased out the imagery in my sketchbook finding textures and then created a textile piece from scraps of fabric. I can see this poppy bud idea with its overlapping edges exposing intriguing elements underneath being taken further.This was an unexpected result given my starting point of seeking out overlapping edges.
The next samples arose from an image I found on the internet of an elderberry seen under a microscope. The textures reminded me of textiles and I tried to copy the overlapping edges by using free machine embroidery on dissoluble film.